Contact Sheet is an irregular column of selected photographs and portraits from Residents of Second Life and other virtual worlds. All rights to featured images are reserved to the artists under appropriate copyright laws and/or allowances under the Creative Commons. Click on the links as necessary to go to the required blog or Flickr page. Please go to these artists’ pages in any case to leave comments, (as well as comments here).
Suggestions are appreciated; please send descriptions and links to me by in-world IM, notecard, E-mail to email@example.com, or leave a comment below.
NOTICE: Some of the photos/links may contain nudity. Viewer discretion advised.
We’re reasonably open to suggestions here, as I mention above, for photographers to include in Contact Sheet. I listen to my colleagues from around Second Life as well (witness Cajsa Lilliehook’s article that led me to my last column, on Magda Schmidtzau), and my co-bloggers on AtG. It was Jemmy who dropped a Flickr stream link on me for this artist. enna exonar hits my love of the Andrew Wyeth æsthetic frequently (though not constantly) in her photos: minimal and distilled. Her published body of work is small currently — one page of Flickr stream — but it is excellent.
This captures a sense of loneliness quite nicely, with a brutal starkness that makes you ache a little in sympathy. Nothing is here but the model, the tree and some beach grasses, aside from the single spray of flowers. Empty sky and a sun shining in on the model from ahead of her drives the point home; but the flowers could symbolize the hope that someone will come to fill that empty void of sky in her future.
A similar aloneness is found in this beach scene, again with the model gazing out into the distance near what looks to be a shore-based navigation light. There is no relief to this loneliness, though; the small, hopeful spray of blooms is absent here. All that is present is the woman looking for something or someone that has disappeared, the wash of the sea, and the flight of seabirds that could be either coming or going.
I added this photo in larger to allow you to see the detail. (As always, click on the photos to visit the artist’s pages and leave comments.) enna likes this piece of land with its windshaped trees, and those trees, along with the lighting, made me thing of the paintings and engraving of Gustave Doré. Some of his better work has trees like this that make you think of ents or other tree-beings, bending over and getting ready to stride off into the distance.
The last three are profile shots of enna herself; and there’s no extraordinary reason why I selected these, other than I simply love them. She captures the image of herself almost perfectly.