This little girl, done in bronze and sort of “smuggled” into position overnight (with a city permit allowing them) either says a lot about the future of business on Wall Street, or doesn’t say anything, depending on who you read and talk to. The statue, Fearless Girl, was dropped deliberately in front of another famous statue, Charging Bull, as a sort of symbol. She is supposed to represent future women standing up to Wall Street and corporations who have almost no female representation in board rooms and executive suites, demanding that this change, and soon.
Admirers think this is great. There’s a lot of detractors as well, though, pointing out that the statue was commissioned by an investment house that sells a branded package of stocks from companies with women on their board — and the plaque at Fearless Girl‘s feet is nothing more than advertising the package, complete with brand. It’s also pointed out that less than a third of the company’s own board is female, so shouldn’t they be putting their money where their mouth supposedly is?
Harper and I see this as a beginning, not an ending. Less than 30% representation certainly isn’t equal, but it’s a beginning. Societal mentality changes slowly — as slow as a glacier at times — but it changes. While as much progress as women have made in the corporate area in 45 years is about as slow as that glacier, remember that those big ice cubes have ground down mountains over time. It’s time to start improving corporate performance, yes. But it will come, one way or another.
Me and my friends are Jem girls
Jem, Jem is my name
Fashion and fame
Once you’re a Jem girl
You’re never the same
C’mon, c’mon and be a Jem girl
Jem, Jem is my name
Jem Opening Theme (variant 1), lyrics by Barry Harman
Come on and be a Jem girl with me
You probably saw Harper’s piece a while back about my not being able to write much for the blog anymore. The good news is that things aren’t quite as drastic as I may have led her to think. It’ll still be fun to get some time for writing, but it probably won’t be any worse than I already am, lol.
Anyway, when I let the boss know I’m still available, she asked me to do a fast one to link to the current issue of Eclipse Magazine. Their cover story this month, written by Cajsa Lilliehook of It’s Only Fashion, is on Strawberry Singh. But it’s not the usual fashion piece, like you’d see in the past on her (I’ve done some checking). Berry is one of the more prominent and outspoken women within Second Life working for preservation of women’s and immigrant rights. This lets her in for a lot of “criticism” — if you can really call it that. Please be sure to read the article.
Contact Sheet is an irregular column of selected photographs and portraits from Residents of Second Life and other virtual worlds. All rights to featured images are reserved to the artists under appropriate copyright laws. Click on the links as necessary to go to the required blog or Flickr page. Please go to these artists’ pages in any case to leave comments, (as well as comments here), if you have an account on the appropriate service.
Suggestions are appreciated; please send descriptions and links to me by in-world IM, notecard, E-mail to firstname.lastname@example.org, or leave a comment below.
NOTICE: Some of the photos/links may contain nudity. Viewer discretion advised.
Harper asked me to take an article, and suggested I might do a photo she recently invited to her Contact Sheet group. It’s not a bad one, and so here it is.
Harper knows more about this thing than I do; she says it may be inspired by the Japanese legend of the 47 Ronin, although the photo’s title says 48 instead. This photo looks like a group pose, and isn’t bad. There’s a link to a YouTube video, however, with much nicer shots. Why rikotujam2 chose this one, I can’t say, but it still isn’t bad.
Let’s get physical, physical
I wanta get physical
Let’s get into physical
Lemme hear your body talk, your body talk
Lemme hear your body talk
Olivia Newton-John, “Physical” (written by Steve Kipner and Terry Shaddick)
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