Archive for the ‘Movies and film’ Tag

OFPC 2018 Update 1 — Winona Ryder   1 comment

I’m taking a pause in Oscar Fashion Photo Contest work to check out the bar at the Rose Theatre.  Lots of wood and chandeliers, nice atmosphere, and plenty of beer.  Stop in sometime and have a glass.

While I’m refreshing myself, here’s a quick update on the OFPC.  As of today, we officially have enough in this year’s group pool to make a full contest — eight Residents are in with photos.  But there’s still plenty of room for more, and just over a month for the Oscar Fashion Photo Contest to run, so you should get your glam on and start shooting photos.  Remember, you can submit as many times as you like, but only the most recent one will be considered in the judging, or the one you designate in the end.  Read the full rules, and ask questions if you’re uncertain!  And, of course, submit your contest entry photo to the OFPC group on Flickr.

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This year’s featured red carpet actress was a name to conjure with in the 1990s; then a combination of a career slump, personal difficulties and a conviction for shoplifting almost derailed her.  The woman is back, though, strong as ever, with her own show on Netflix, and still catching attention on the red carpet when she appears.

Let’s take a look at Winona Laura Horowitz — better known as Winona Ryder.

Born in Winona, Minnesota, Ryder began auditioning around 1985, did her first film (Lucas) in 1986, and broke out in 1988 — before she had graduated high school — with three films:  Beetlejuice, 1969 and Heathers.  The last film became one of Ryder’s signature films, the black comedy of “teenage angst with a body count” placing her in a generation’s mind. She appeared at the 1989 Academy Awards in a black velvet midi, on the arm of her Heathers co-star, Christian Slater.

Black seems to be Winona’s signature color; she’s worn it more often to the red carpet than any other color in my memory.  For instance, in 1990, Ryder came to the Oscars in this lovely strapless sheath, accented only with a bracelet and earrings ….

… and appeared in 1997 in this frock, which is actually my least favorite of what I’ve seen her in.  (This also illustrates Ryder’s taste for vintage.)

In the same year, though, Winona showed she could also rock color, at the American Film Institute Lifetime Achievement Award for Martin Scorsese.  This is one of my favorites ….

… as is this look from 1994 (which is, I believe, at an after-party).

Finally, come forward to the 2017 Golden Globes, with Ryder the adult star of Stranger Things.  The old standby black once more — but Winona Ryder makes it shine.

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Next update in two weeks or so, then our own appearance after that.  Get shooting, folks!  And, to help you along, here’s some inspiration:  a 2017 Harper’s Bazaar slideshow of the great Oscar looks of all time to their date.

2017 OFPC Update 1 — Audrey Hepburn

The first three entries are in the group for this year’s Oscar Fashion Photo Contest.  I really want at least five to seven more before I’d declare it a contest, so consider this your call to work up a look and make a run down the red carpet.  You’ll have a shot at a slice of over L$ 50,000, remember, so get your stylists thinking!

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Normally, I’d do a sidebar piece in this first update on one of the style icons of the red carpet, especially at the Oscars and Golden Globes.  This year, I ran out of names to consider; Jem and me will have to bang our heads together over the next year to see if we can agree on someone.  So, this year, we’ll just look at a flat-out style icon — in fact, possibly the style icon of motion pictures:  Audrey Hepburn.  Hepburn reigned as a screen fashion queen and real-life style setter staring in her twenties, with a definite knowledge of what looked completely smashing on her. And this in despite of her apparently lifelong self-image as an ugly duckling, according to an interview with BBC News.

(Be prepared if you click through; the full article is graphics-intensive.)

More on Audrey and her film style on the next page.

Do Androids Dream….

Warning:  The following contains photographs of frontal nudity, and may be considered Not Safe For Work/School.  If you come to this article via the main page, and click on the Read More link, you’re acknowledging that you’re of legal age and have no qualms about this.

Blade Runner

Welcome to Hangars Liquides, which resembles the San Angeles of Blade Runner and the original Philip K. Dick book, Do Androids Dream of Electric Sheep, in many places. Dark in many places, gritty at the least in most, and yet with a compelling attraction that draws you back.

Early in the 21st Century, the Tyrell Corporation advanced robot evolution into the NEXUS phase – a being virtually identical to a human – known as a Replicant. The NEXUS 6 Replicants were superior in strength and agility, and at least equal in intelligence, to the genetic engineers who created them. Replicants were used Off-World as slave labor, in the hazardous exploration and colonization of other planets. After a bloody mutiny by a NEXUS 6 combat team in an Off-World colony, Replicants were declared illegal on earth – under penalty of death. Special police squads – BLADE RUNNER UNITS – had orders to shoot to kill, upon detection, any trespassing Replicant This was not called execution. It was called retirement.

— Opening to the Ridley Scott film Blade Runner

Find the replicant you seek on the next page….

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